9-movement suite
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Solo Piano
4-movement suite
Now and Always
Instrumentation: solo piano
Duration: 5 minutes
Composed: 2019
I wrote this gentle waltz for the love of my life, Dasha Koltunyuk - and played it for her at our wedding.
Some Not Too Distant tomorrow
Instrumentation: solo piano
Duration: 4 minutes
Composed: 2017
Commissioned by: the Classical Recording Foundation and funded by a gift from Linda and Stuart Nelson
This title movement of my suite for piano and string quartet is inspired by a passage in Dr. Martin Luther King, Jr.’s Letter from Birmingham Jail, which he wrote during a period of solitary confinement in the Alabama prison. The letter is an exquisite statement about the dire urgency of achieving social and economic justice, and about the moral and practical implications of nonviolence as the means of getting there. It's also a searing indictment of those who advocated for the status quo in the face of terrible injustice. And it's a moving plea for understanding, and mutual respect.
I hope the music conveys the profound impact his words have had on me.
I expanded the original sketch for quintet, but I’ve always loved the simplicity of the solo piano version.
THE ANSWER IS: YES
Instrumentation: solo piano
Duration: 5 minutes
Composed: 2018
Premiere: October 10, 2018 by Gregg Kallor in the Catacombs at Green-Wood Cemetery, Brooklyn, NY
Leonard Bernstein would have celebrated his 100th birthday in 2018. I composed this piece that year in honor of the man whose singular ability to communicate passion to audiences around the world continues to inspire me.
Bernstein gave a series of lectures at Harvard University in 1973 in which he took Charles Ives' metaphysical "Unanswered Question" out for a spin. The wide-ranging discussion encompassed everything from music analysis and history to linguistics, aesthetics, phonology, and physics. To me, this exploration encapsulates Bernstein: passionate, thoughtful, inclusive, communicative, joyful.
Six lectures culminated in what might be considered Bernstein’s artistic credo - a celebratory synthesis of many styles and ideas, shared with sincerity and exuberance. Bernstein concluded with an open heart and open arms: “I’m no longer quite sure what the question is, but I do know the answer, and the answer is: Yes.”
“As a soloist, Kallor played a Bernstein tribute titled The Answer Is: Yes, and if you braced yourself for West Side Story cliches, you were happily surprised with an extravagant fantasy... that showed just how fine of a pianist Kallor is.”
–David Patrick Stearns, Condemned To Music
“an attractive, jazz-inflected solo”
–Clive Paget, Limelight
“There were no Bernstein musical quotes, but his spirit was present in Kallor’s own melodies, rhythms and dynamism. The seamless interplay between classical and jazz were Kallor’s alone.”
–Rick Perdian, Seen and Heard International
“a short, breezy piece that while, very much in Kallor’s style, also cleverly weaved in moments that recalled bits of Lenny’s best.”
–Matt Costello, Opera Wire
“Kallor premiered a new piece for solo piano in tribute to Leonard Bernstein, who happens to be buried at Green-Wood. It was an appropriate tribute to the maestro, blending classical, jazz and dizzying agility.”
–Richard Sasanow, Broadway World
“Kallor then delivered another world premiere, solo, playing The Answer Is: Yes, a dedication to Leonard Bernstein (who according to the program notes is a permanent Green-Wood resident). The title is a typically exuberant Bernstein quote from a series of Harvard lectures, and rang true as Kallor methodically shifted gears between distantly Stravinskian, balletesque leaps and bounds, saturnine lustre and a little bittersweet blues. So many other composers inspired by Bernstein end up aping him. Kallor did nothing of the sort.”
–Alan Young, New York Music Daily