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Songs

Arias from "FRANKENSTEIN"

Arias from "FRANKENSTEIN"

arias from frankenstein

"You've Gone Away Again" — Elizabeth’s aria

Instrumentation: Mezzo-soprano and Piano

Libretto by: Gregg Kallor

Duration: ~3 minutes

Elizabeth writes a letter to Victor, who has mysteriously disappeared back into his laboratory following William’s death. She begins with gentle platitudes, but grows increasingly frustrated at not being able to fully express her despair to him. After voicing her true feelings in an impassioned outburst (“You’ve gone away again”), Elizabeth writes the forcibly calm letter that she will actually send to Victor.


"I Now See Myself Before Me" — The Creature’s aria

Instrumentation: Baritone and Piano

Libretto by: Gregg Kallor

Duration: ~4 minutes

Victor Frankenstein has nearly completed building a companion for the Creature. The Creature, on the cusp of his dream coming true, sings to his unconscious beloved (“I now see myself before me”).


"The World Was a Secret" — Victor’s aria

Instrumentation: Tenor and Piano

Libretto by: Gregg Kallor

Duration: ~3 minutes

Victor has nearly completed building a companion for the Creature, and he contemplates the consequences of his task (“The world was a secret”). Victor is torn between his obligation to provide some measure of happiness for the Creature and his fear of the increased destruction that the pair of creatures might jointly inflict on humanity.


Premiere: October 13-15 (Phoenix) and 21-22 (Tucson), 2023 at Arizona Opera.

Edward Parks, The Creature (baritone); Terrence Chin-Loy, Victor Frankenstein (tenor); Katie Beck, Elizabeth Lavenza (mezzo-soprano)


Jennifer Johnson Cano, mezzo-soprano; Edward Parks, baritone; Jason Wirth, piano; Nicole Paiement, conductor
recorded at the workshop at Opera America in New York City in 2021

Sara Cooper

Sara Cooper

ONE CHILD

Instrumentation: voice and piano

Lyrics by: Sara Cooper

Duration: 4 minutes

Composed: 2014

Commissioned by: Sing For Hope


I'm deeply honored to have been invited to compose this song for An AIDS QUILT Songbook: Sing for Hope. The album features new songs by American composers, performed by an all-star roster of musicians – including Joyce DiDonato, Jamie Barton, Sasha Cooke, Isabel Leonard, Sean Pannikar, Susanna Phillips, Matthew Polenzani, cellist Yo-Yo Ma, clarinetist Anthony McGill, actors Sharon Stone and Ansel Elgort, and many more. It was a privilege to record One Child with soprano Melody Moore, and to be a part of this extraordinary project. All profits from the sale of this album go to amfAR, The Foundation for AIDS Research.


Recording of One Child:

 
 

Journal of Singing.jpg

"Among the brand new songs created expressly for this recording is "One Child," featuring beautiful lyrics by Sara Cooper that point to the promising possibility of a child surviving AIDS and ushering in a new era of health and well-being where once there was so much death and suffering. The poet asks "Is this the moment? Is this the time? Is this when we leave it all behind us? When soon only whispers will remind us of those awful scorching decades that took so many lives." Gregg Kallor has set these lyrics with utmost care, with gentle dissonance that perfectly captures the longing of the text. Soprano Melody Moore's singing is exemplary for its beauty and clarity."

Journal of Singing

Herschel Garfein

Herschel Garfein

LULLABY

Instrumentation: voice and piano

Lyrics by: Herschel Garfein

Duration: 3 minutes

Composed: 2005


Lullaby is a musical kiss to a life just beginning. Herschel Garfein’s beautiful lyrics are a celebration of love and life, and the promise of tomorrow.


Recording of Lullaby:

 
 

Clementine Von Radics

Clementine Von Radics

A PRAYER

Instrumentation: voice and piano

Poem by: Clementine Von Radics

Duration: 5 minutes

Composed: 2016

Commissioned by: Melody Moore

Premiere: May 25, 2016 by Melody Moore (soprano) and Robert Mollicone (piano) at Carnegie Hall, NYC


Clementine Von Radics’ “A Prayer” gave me chills the first time I read it, and every time since. When Melody Moore asked me to set the text for her 2016 Carnegie Hall debut, I wanted to write something that would let the fragile tenderness of the poem speak, and give Melody room to do what she does so, so beautifully. Recording this song with her (on the album: The Tell-Tale Heart) was incredibly special for us both.


Recording of A Prayer:

 
 

Read Clementine’s gorgeous poetry!

Please consider buying this exquisite collection of Clementine’s poems (including A Prayer) from your local bookstore. Otherwise, get it on Amazon:

Robert Richardson/Mark Twain

Robert Richardson/Mark Twain

WARM SUMMER SUN

Instrumentation: voice and piano

Poem by: Robert Richardson, adapted by Mark Twain

Duration: 2 minutes

Composed: 2015

Commissioned by: SubCulture Arts Underground, New York

Premiere: April 28, 2015 by Matthew Worth (baritone), Adriana Zabala (mezzo-soprano) and Gregg Kallor at SubCulture New York


Warm Summer Sun is a setting of Mark Twain’s adaptation of the final stanza of Robert Richardson’s Annette, which Twain transformed into a beautiful lullaby for the headstone of his recently deceased daughter.


Warm Summer Sun
Warm summer sun, 
Shine kindly here, 
Warm southern wind, 
Blow softly here. 
Green sod above, 
Lie light, lie light. 
Good night, dear heart, 
Good night, good night.


Recording of Warm Summer Sun:

 
 

Christina Rossetti

Christina Rossetti

SONG

Instrumentation: voice and piano

Poem by: Christina Rossetti

Duration: 3 minutes

Composed: 2007

Premiere: October 26, 2008 by Adriana Zabala (mezzo-soprano) and Gregg Kallor at the Housing Works Bookstore in New York City


Song is a love letter at life’s end'; there’s no fear or regret, only words of comfort for the one who remains.


Song
When I am dead, my dearest, 
Sing no sad songs for me; 
Plant thou no roses at my head, 
Nor shady cypress tree: 
Be the green grass above me
With showers and dewdrops wet; 
And if thou wilt, remember, 
And if thou wilt, forget.


I shall not see the shadows, 
I shall not feel the rain; 
I shall not hear the nightingale
Sing on, as if in pain: 
And dreaming through the twilight
That doth not rise nor set, 
Haply I may remember, 
And haply may forget.


Recording of Song:

 
 

Elinor Wylie

Elinor Wylie

little elegy

Instrumentation: voice and piano

Poem by: Elinor Wylie

Duration: 2 minutes

Composed: 2015

Commissioned by: SubCulture Arts Underground, New York

Premiere: April 28, 2015 by Adriana Zabala (mezzo-soprano) and Gregg Kallor at SubCulture New York


Little Elegy
Without you
No rose can grow; 
No leaf be green
If never seen
Your sweetest face; 
No bird have grace
Or power to sing; 
Or anything
Be kind, or fair, 
And you nowhere.


Recording of Little Elegy: